tag:blogger.com,1999:blog-60918073082410761042024-03-13T06:14:26.634-07:00artMovingProjects Blogahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.comBlogger230125tag:blogger.com,1999:blog-6091807308241076104.post-19788696095009495142020-03-27T05:05:00.002-07:002020-03-27T05:05:42.716-07:00Cynthia Bloom- Red Shoes<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX1v1UNLl0qkSNMuy_TXnCNcyGedXXlq5v7XCyEnieRyETeWf9TJ2O580TMjey8gbfKZMT7-OKHNM0AKf1rRSuB_8eZs2gi6gZYTFiLyXocLSGoQ-q6Hngc6Lv9zmOayWdvgAP6s09QwOJ/s1600/Screen+Shot+2020-03-27+at+7.58.16+AM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="539" data-original-width="691" height="498" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX1v1UNLl0qkSNMuy_TXnCNcyGedXXlq5v7XCyEnieRyETeWf9TJ2O580TMjey8gbfKZMT7-OKHNM0AKf1rRSuB_8eZs2gi6gZYTFiLyXocLSGoQ-q6Hngc6Lv9zmOayWdvgAP6s09QwOJ/s640/Screen+Shot+2020-03-27+at+7.58.16+AM.png" width="640" /></a><span style="caret-color: rgb(136, 136, 136); color: #888888; font-family: Arial, Helvetica, "Nimbus Sans L", sans-serif; font-size: 13px;">Cynthia Bloom</span></div>
<div style="caret-color: rgb(136, 136, 136); color: #888888; font-family: Arial, Helvetica, "Nimbus Sans L", sans-serif; font-size: 13px; margin-bottom: 18px; padding: 0px;">
“Woman in the Red Shoes, 1954″</div>
<div style="caret-color: rgb(136, 136, 136); color: #888888; font-family: Arial, Helvetica, "Nimbus Sans L", sans-serif; font-size: 13px; margin-bottom: 18px; padding: 0px;">
Oil on Canvas</div>
<div style="caret-color: rgb(136, 136, 136); color: #888888; font-family: Arial, Helvetica, "Nimbus Sans L", sans-serif; font-size: 13px; margin-bottom: 18px; padding: 0px;">
52″ x 70”</div>
<div style="caret-color: rgb(136, 136, 136); color: #888888; font-family: Arial, Helvetica, "Nimbus Sans L", sans-serif; font-size: 13px; margin-bottom: 18px; padding: 0px;">
Signed and Dated</div>
ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-53736759175644028042016-04-16T17:24:00.000-07:002016-04-16T17:24:31.781-07:0010 CloverField Road<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9qNAoBUSYKyMP4NiPOomfqeN3JKlo0idpwSlzshmDpEdRDt0ZPGKMSP9v4d4qg6iESI6MocZ88EWggmwLXg0gYoCHJDCmR56Cm83Tyak6kdhiZ5IieZhm1ExCrGY1wISiUtRN_3DTxEiO/s1600/Screen+Shot+2016-04-16+at+7.31.26+PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="282" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9qNAoBUSYKyMP4NiPOomfqeN3JKlo0idpwSlzshmDpEdRDt0ZPGKMSP9v4d4qg6iESI6MocZ88EWggmwLXg0gYoCHJDCmR56Cm83Tyak6kdhiZ5IieZhm1ExCrGY1wISiUtRN_3DTxEiO/s640/Screen+Shot+2016-04-16+at+7.31.26+PM.png" width="640" /></a></div>
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Mary Elizabeth Winstead, John Goodman, <a class="unstyled articleLink" href="http://www.rottentomatoes.com/celebrity/john-gallagher-jr" style="box-sizing: border-box; color: black; font-family: 'Source Sans Pro', 'Helvetica Neue', Helvetica, Arial, sans-serif; text-decoration: none;"><span itemprop="name" style="box-sizing: border-box;" title="John Gallagher Jr."><span style="font-size: x-small;">John Gallagher Jr.</span>,</span> </a>give incredible performances in this movie written by:<br />
<table class="info" style="border-collapse: collapse; border-spacing: 0px; box-sizing: border-box; color: #333333; font-family: 'Source Sans Pro', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><tbody style="box-sizing: border-box;">
<tr style="box-sizing: border-box;"><td style="box-sizing: border-box; padding: 0px; vertical-align: top;"><a href="http://www.rottentomatoes.com/celebrity/josh_campbell" style="box-sizing: border-box; text-decoration: none;"><span style="color: #0c343d;">Josh Campbell</span></a>, <span style="background-color: white;"><a href="http://www.rottentomatoes.com/celebrity/matthew_stuecken" style="box-sizing: border-box; color: #20124d; text-decoration: none;">Matthew Stuecken</a><span style="color: #20124d;">, </span><a href="http://www.rottentomatoes.com/celebrity/damien_chazelle" style="box-sizing: border-box; color: #20124d; text-decoration: none;">Damien </a><span style="color: #0000ee;">Chapelle</span><span style="color: #20124d;"> </span></span>and directed by: Dan Trachtenburg</td></tr>
</tbody></table>
<br />
This critic has not been inspired to write about art for many years but upon watching this masterpiece not once but twice on the big screen, faith is renewed in the powers of science fiction to awe. In what is a story of running away from commitment our hero Mary Elizabeth Winstead a new face, confronts all obstacles which are a many. Starting with her bondage by John Goodman, who's ass she kicks over and over again, to an incredible and even more enormous alien that has her trapped in an old truck 25 ft. above the ground. What is really remarkable about the film is that every moment and all the objects, lead to further understanding of what is happening in this nightmare that becomes reality.<br />
The minimal set of an underground fall-out shelter is beautifully designed. It is claustrophobic and homey creepy with it's ducts and stairways to the outside world whose state of existence remains as uncertain as Goodman's multiple personalities. Winstead likewise shows us many emotions from superhero like confidence to utter fear and confusion. She moves a like dancer which she was and has the projection and nuance of a musician. This woman is a superstar watch out. John Gallagher also does a knock out job, in a cast from his own errors he is the ultimate victim. The guy everyone loves and feels sorry for, not too smart, kinda good looking in a not flashy way, really honest, we know he is going to take the bullet. John Goodman is just getting scarier and scarier with age. This gaze he has with monotone drall is the paranoid, veteran, survivalist, pedophile, that we all know but pretend is not our uncle's cousin. The weight he carries when he dances is the weight and reality of our unhealthy diets. It is the stored anxiety of Andy Warhol's soup cans on the shelf falling like our belief in the outside world, our government, to protect us from the future. But we don't need them, not with Winstead and her Leonardo Divinci like drawing and fashion sense. Thank you for making a movie that does not rely on all the same formulas and keeps us guessing.<br />
<br />ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-57921401872684104842013-08-09T13:34:00.002-07:002013-08-09T13:38:33.591-07:00Studio visits Tom Moody, Ken Butler, and Jeff Tolbert<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVbjDaGc856l-fdE24nbaDUtan7-I4dTnC3rXIVJ47YXu_3wZlOQtRPgP3zHm-P746YZCbdPD-Y7JYPuSOIUa4ATBPwiFgmAZ3XqZ1WUqDZ5fCfCmzvCO5dScO2pyQmGvjIUGPts-gop97/s1600/IMG_1053.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVbjDaGc856l-fdE24nbaDUtan7-I4dTnC3rXIVJ47YXu_3wZlOQtRPgP3zHm-P746YZCbdPD-Y7JYPuSOIUa4ATBPwiFgmAZ3XqZ1WUqDZ5fCfCmzvCO5dScO2pyQmGvjIUGPts-gop97/s320/IMG_1053.jpg" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFkvT9jR0GZdPG-ycsj4SMAYYNG5LNVdLFQjErjX8dWln6wr1uncLxeK5DdG3Ju4nAttO5ZbGicK6mX0qISZCUpUXvG8nbzM20LKa3Bl_hqDbOWBHX8m5m2pdKqRCdtnEm5heGHO0Vm9_E/s1600/IMG_1051.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFkvT9jR0GZdPG-ycsj4SMAYYNG5LNVdLFQjErjX8dWln6wr1uncLxeK5DdG3Ju4nAttO5ZbGicK6mX0qISZCUpUXvG8nbzM20LKa3Bl_hqDbOWBHX8m5m2pdKqRCdtnEm5heGHO0Vm9_E/s320/IMG_1051.JPG" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUphE6SLIRqe3IxoncOP8oRwGWeeddjptdh7dU92v12cW5VvUp8UzeJGYdFoVX8HaH7blPYl6aJTLn8aT2t0m_GjznS_EhrnvbjtSfMMAx72cSprKX_Z6ZdpvhzQ6aNDNwEIUmsqYahL_N/s1600/IMG_1055.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUphE6SLIRqe3IxoncOP8oRwGWeeddjptdh7dU92v12cW5VvUp8UzeJGYdFoVX8HaH7blPYl6aJTLn8aT2t0m_GjznS_EhrnvbjtSfMMAx72cSprKX_Z6ZdpvhzQ6aNDNwEIUmsqYahL_N/s320/IMG_1055.JPG" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjL8jJ43iOPnlSDpBvBN-9oMJon0zuUTD69is6xTiRPOPQLeaQVv6_aBfZ2JhaovMbWdIuSHKQVypyTA27mK1JcIt_7zal-tbjV2-nsM1_hM7ZEyeyT5ugt5G_cNilzKtCz7T08O8PhmqUN/s1600/IMG_1056.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjL8jJ43iOPnlSDpBvBN-9oMJon0zuUTD69is6xTiRPOPQLeaQVv6_aBfZ2JhaovMbWdIuSHKQVypyTA27mK1JcIt_7zal-tbjV2-nsM1_hM7ZEyeyT5ugt5G_cNilzKtCz7T08O8PhmqUN/s320/IMG_1056.JPG" width="320" /></a></div>
above: Jeff Tolbert paintings and delights<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz5uZ34Uje3ghdpwzXoqMMbqqH11TjefUmCNt2FLP97F3rKZLq2WjgtbhVX2km-qjiKZEwImQG7Qi4zmQTKIZnjIgvmuDvT7gcg_JYaFar9YLvlRichCFBdP44B4scBd_bLygZAmz0y9uj/s1600/IMG_0990.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz5uZ34Uje3ghdpwzXoqMMbqqH11TjefUmCNt2FLP97F3rKZLq2WjgtbhVX2km-qjiKZEwImQG7Qi4zmQTKIZnjIgvmuDvT7gcg_JYaFar9YLvlRichCFBdP44B4scBd_bLygZAmz0y9uj/s320/IMG_0990.jpg" width="239" /></a></div>
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Ken Butler: Playing my Dane, couch on more or less awesome axes<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCOuNDar8HGvG4-rDOl0DhNcCxs7eWvhhZg8FpFzT2hDOH4IxK69yAj5pVDivD5czAWZCLT4zoh9EsNkTDSmkGGMAf4hfsblKFuZEZ_lBpmoZXuSkCWej7ih-hJlRPs5wjUjPb0YZ9rxqr/s1600/IMG_0974.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCOuNDar8HGvG4-rDOl0DhNcCxs7eWvhhZg8FpFzT2hDOH4IxK69yAj5pVDivD5czAWZCLT4zoh9EsNkTDSmkGGMAf4hfsblKFuZEZ_lBpmoZXuSkCWej7ih-hJlRPs5wjUjPb0YZ9rxqr/s320/IMG_0974.jpg" width="239" /></a></div>
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Tom Moody: painted box and printsahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-78784604533515478092013-07-19T13:10:00.001-07:002013-07-19T13:10:29.990-07:00Glafira Rosales<h1 class="entry-title">
Dealer Is Arraigned on Charges Related to Sale of Disputed Masterpieces</h1>
<address class="byline author vcard">
By <a class="url fn" href="http://artsbeat.blogs.nytimes.com/author/colin-moynihan/" title="See all posts by COLIN MOYNIHAN">COLIN MOYNIHAN</a></address>
<div class="entry-content">
An art dealer from Long Island pleaded not
guilty Friday in Manhattan to charges that she laundered money and
evaded taxes as part of a scheme in which prosecutors contend she sold
dozens of fake paintings that she told customers had been created by
some of the most famous artists of the 20th century. <br />
The dealer, Glafira Rosales, who has been held without bail since <a href="http://www.nytimes.com/2013/05/22/arts/design/dealer-at-center-of-art-scandal-arrested-on-tax-charges.html?pagewanted=all&_r=0" title="Article on arrest.">her arrest in May</a>,
entered a federal courtroom in Lower Manhattan handcuffed and dressed
in a blue prison smock. She uttered only the words “not guilty” in a low
voice when asked about the charges by Judge Katherine Polk Failla in
Federal District Court.<br />
On Wednesday, federal officials in Manhattan announced that Ms.
Rosales had been indicted on seven counts of wire fraud, money
laundering, filing false tax returns and failing to report foreign bank
accounts. Prosecutors said that from 1994 to 2009 Ms. Rosales sold two
prominent Manhattan galleries more than 60 works that she said were by
artists like Mark Rothko, Jackson Pollock and Willem de Kooning, but the
authorities say were, in fact, forgeries.<br />
According to the indictment, Ms. Rosales laundered the proceeds of
those sales by transferring money through foreign bank accounts, then
hid the income generated by the scheme by filing false tax returns and
failing to inform the United States government of the existence of the
foreign accounts.<br />
The government says Ms. Rosales received more than $33 million for
the works and failed to declare at least $12.5 million of it as income. <br />
</div>
ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-32481993309761250852013-07-10T19:54:00.002-07:002013-07-10T19:54:39.417-07:00Art and Fraud<h1>
U.S. stops sale of Picasso painting valued at $11.5 million</h1>
<div class="cnn_stryathrtmp">
<div class="cnnByline">
By <strong>Carol Cratty</strong>, CNN Senior Producer</div>
<div class="cnn_strytmstmp">
updated 8:42 PM EDT, Mon June 24, 2013</div>
</div>
<div class="cnn_stryimg640captioned">
<img alt="The private sale of " border="0" height="360" src="http://i2.cdn.turner.com/cnn/dam/assets/130624202950-picasso-sale-halted-story-top.jpg" width="640" /></div>
<div class="cnn_stryimg640caption">
<div class="cnn_strycaptiontxt">
The private sale of "Compotier et tasse," a 1909 work by Pablo Picasso, was halted by the U.S. government.</div>
</div>
<a href="http://www.blogger.com/null" name="em0"></a>
<div class="cnn_strylftcntnt">
<div class="cnn_strylctcntr">
<div>
<strong>STORY HIGHLIGHTS</strong></div>
<ul class="cnn_bulletbin cnnStryHghLght">
<li>Picasso's "Compotier et tasse," valued at $11.5 million, was for sale in New York</li>
<li>The U.S. stopped its sale at the request of the Italian government</li>
<li>The would-be seller is accused of bilking the city of Naples of $44 million in tax revenue</li>
</ul>
</div>
</div>
<strong>Washington (CNN)</strong> -- The United States obtained a
restraining order Monday to block the sale of a painting by Pablo
Picasso valued at an estimated $11.5 million at the request of the
Italian government, the Justice Department announced.<br />
<div class="cnn_storypgraphtxt cnn_storypgraph2">
The case involves a 1909 work by Picasso known as "Compotier et tasse" which had been offered for private sale in New York.</div>
<a href="http://www.blogger.com/null" name="em1"></a>
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<div class="cnnArticlePhotoContainer cnn_strylftcexpbxnv" id="photoContainer13">
<img alt="Photos: 10 paintings worth millions" border="0" class="cnnArticleBoxImage" height="360" id="photo13" src="http://i2.cdn.turner.com/cnn/dam/assets/120509063817-rothko-art-record-horizontal-gallery.jpg" width="640" />
<cite class="expCaption" id="cite13"><span>Photos: 10 paintings worth millions</span></cite>
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<img alt="British Museum acquires Picasso etchings" border="0" class="cnnArticleBoxImage" height="360" id="photo23" src="http://i2.cdn.turner.com/cnn/dam/assets/111129040746-picasso-minotaur-girl-night-horizontal-gallery.jpg" width="640" />
<cite class="expCaption" id="cite23"><span>British Museum acquires Picasso etchings</span></cite>
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<div class="cnn_storypgraphtxt cnn_storypgraph3">
American officials
obtained a restraining order blocking any sale and preventing the
painting from being moved after Italian authorities asked for help in
connection to the prosecution of Gabriella Amati. She and her late
husband, Angelo Maj, were charged by Italian prosecutors with
embezzlement and fraud.</div>
<div class="cnn_storypgraphtxt cnn_storypgraph4">
The couple allegedly
worked with an official for the city of Naples and embezzled
approximately $44 million of the city's tax revenues, according to
Italian court documents.</div>
<div class="cnn_storypgraphtxt cnn_storypgraph5">
The Picasso was not
stolen but was purchased with money that Amati and her husband allegedly
obtained through criminal activity, said a U.S. law enforcement
official.</div>
<div class="cnn_storypgraphtxt cnn_storypgraph6">
Agents working for U.S.
Immigration and Customs Enforcement located and recovered the painting
in New York, where it was being offered for sale, on May 21.</div>
<div class="cnn_storypgraphtxt cnn_storypgraph7">
"Restraining this
valuable artwork is an effort to help recover some of the estimated $44
million that this couple stole from the tax-paying citizens of Naples,"
ICE Director John Morton said in a written statement.</div>
ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-70605487279273720562013-02-07T06:41:00.002-08:002013-02-07T06:41:52.959-08:00Fundraiser Goodbye Blue MondayGOODBYE BLUE MONDAY ANNOUNCES 2 DAYS OF MUSIC TO KICK OFF FUNDRAISING CAMPAIGN AND CELEBRATE THE INFLUENCE OF THE BUSHWICK VENUE<br /><br /><br /><br />On Saturday February 9 and Sunday February 10, Goodbye Blue Monday will celebrate its 8th anniversary and kick off an Indie Go Go Campaign to raise money for essential improvements that the business can not presently afford. <br /><br />Since opening in February of 2005, GBM has maintained an open-booking policy with bands and artists inside and outside of New York, providing a critical step in the development of many artists. <br /><br />The needs of the venue at the end of 2012 called for quick action by Steve Trimboli, the founder of Goodbye Blue Monday. Asking for help of friends close to the venue, it was decided that an Indie Go Go campaign and a 2 day musical kickoff would be the best way to raise the needed funds. Bushwick neighbor and musician Ray Rizzo is organizing the 2 days of music that will help draw attention to the campaign. At press time, the list of artists scheduled to appear include: <br /><br />Saturday<br /><br />Martin Bisi - experimental rocker and iconic New York recording engineer/producer (Dresden Dolls, John Zorn, Bill Laswell, Sonic Youth) <br />Thomas Bartlett - solo artist (Doveman) producer (Glen Hansard, Trixie Whitley, Julia Stone) and sideman (Martha Wainwright, Anthony and The Johnsons)<br />Alana Amram - country-tinged songstress and long-time neighbor <br />Oren Bloedow - solo artist, co-leader of Elysian Fields, and sideman (Wayne Horowitz, Dr. John, Lounge Lizards) <br />Sam Cohen - guitarist, singer and composer, leader of Yellowbirds, formerly of Apollo Sunshine <br />Ben Miller - american rock and avant guitarist<br />Mesiko - psychedelic folk smack rock by Ray Rizzo, Raquel Bell, and David Marshall<br />Frogbelly and Symphony - a band made of UK and Brooklyn musicians currently recording with Martin Bisi, with Liz Hanley of Emmanuel and The Fear and Thomas LaBioda<br />Joe Crow Ryan - anti-folk genius and co-host of Goodbye Blue Monday's Tuesday Teacup Open Mic<br />James Sera - acoustic guitar, instrumental psychedelic improvisationalist (it sounds like a word to me!)<br /><br />Sunday<br /><br />Corn Mo - Corn Mo is a hero to all of us. He sings, plays accordion, and rocks the house.<br />Lady Rizo - grammy-winnng international and downtown NYC chanteuse and performer <br />Mindtroll - avant pop straight from the waters of the Gowanus Canal<br />NuSonics - NYC rockers w/ close ties to Scrap Bar history<br />A.C. Haley - eclectic, two-year weekly residency bass-playing brunch entertainer at Goodbye Blue Monday and choir singer elsewhere<br />MORE TBA!!!!<br /><br />Music will begin at 3pm on both days and go long into the evening. There will be no cover but the hat will be passed A LOT and donation stations will be set up at the venue for people to contribute directly to the campaign. More artists will be announced in the coming days.<br /><br />Goodbye Blue Monday <br />1087 Broadway in Bushwick<br />equidistance between the Myrtle and Kosciuszko stops on the J Train (also M train to Myrtle)<br /><br />For information about Goodbye Blue Monday and it's fundraising campaign contact Kate Vandever at katelyn.vandever@gmail.com <br /><br />For information about the music on Feb. 9 and 10 contact Ray Rizzo at raskizzo@gmail.com<br /><br />Not sure about anything or everything? send it here - hello@goodbye-blue-monday.com<br />ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-74450787763088859082012-11-26T08:26:00.001-08:002012-11-26T08:26:36.994-08:00John Bailey at Cypress Grill in Middletown Ct. <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZXK3PiIgEF79zq0Y91UlAXgXpeEfH62Q5ZZP3BNS1kEtgNZsnG7zDs38KZrwOS_ng1O5YH-LNIoYefU2w8Kv2LVkt1rPQ_MbaPacioRIQt5rkLERZeJTBxuPzGlEzgKJ43MSBg7v85Jv7/s1600/GIG_02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZXK3PiIgEF79zq0Y91UlAXgXpeEfH62Q5ZZP3BNS1kEtgNZsnG7zDs38KZrwOS_ng1O5YH-LNIoYefU2w8Kv2LVkt1rPQ_MbaPacioRIQt5rkLERZeJTBxuPzGlEzgKJ43MSBg7v85Jv7/s640/GIG_02.jpg" width="478" /></a></div>
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<br />ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-66950693965349179932012-11-17T12:32:00.004-08:002012-11-29T05:32:02.531-08:00Tom Moody Apex art "as real as it gets"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi17P6P2ThVFbasbp6z6r4ZxMtElrKRJFs9OhTEHslNg0H7y-W0Nso-GR9tFF_Qx3rHTagITtPNPrsszVWKG5oH8RNP5ON8NPdIsFmTaOmmfkCucPke_7DYV1YA9JfTVR6JFwfarbfP_S7G/s1600/IMG_0396.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi17P6P2ThVFbasbp6z6r4ZxMtElrKRJFs9OhTEHslNg0H7y-W0Nso-GR9tFF_Qx3rHTagITtPNPrsszVWKG5oH8RNP5ON8NPdIsFmTaOmmfkCucPke_7DYV1YA9JfTVR6JFwfarbfP_S7G/s640/IMG_0396.jpg" width="478" /></a></div>
<table align="center" border="0" style="width: 856px;"><tbody>
<tr><td height="56"><a class="standardText" href="http://apexart.org/"><img alt="" border="0" height="46" src="http://apexart.org/images/tabs/apexartlogo.png" width="165" /></a></td>
<td><br /></td>
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</tbody></table>
<table align="center" style="width: 837px;"><tbody>
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<td colspan="2" height="27"><span class="exhibitionProgram">PERFORMANCE WITH DISQUIET JUNTO</span></td>
<td align="right" rowspan="2" valign="middle" width="362"><img height="334" src="http://apexart.org/images/events/ladiesparadise-md.jpg" width="300" />
<br />
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<tbody>
<tr>
<td align="right"><span class="standardTextSm"><i>"Here,
there was the continuous purring of a machine at work, the customers
shovelled in, heaped in front of the displays and dazzled by the goods,
before being hurled against the cash desks."<br />
</i>-Émile Zola</span></td>
</tr>
</tbody></table>
</td>
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<td height="409" valign="top" width="385"><span class="standardText"><br />
In conjunction with the exhibition <a href="http://apexart.org/exhibitions/walker.php"><i>As Real As It Gets</i></a>, organized by Rob Walker.</span>
<br />
<br />
<span class="standardTextLg"><span style="color: #336600;"><b>Tuesday, November 27: 6:30 pm</b></span></span><br />
<span class="standardText"><br />
An exercise in sonic branding, this event asks musicians from the
Disquiet Junto collective to create pieces that interrogate the
atmosphere and sounds of a department store as described in an Émile
Zola novel.<br />
<br />Featuring:<b><br />
Brian Biggs<br />
Ethan Hein<br />
Shawn Kelly<br />
Kenneth Kirschner<br />
Tom Moody<br />
Joon Oluchi Lee<br />
Roddy Schrock </b><br />
</span>
</td>
<td valign="top" width="74"></td>
</tr>
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<td colspan="3"><span class="standardText">
Musicians affiliated with the online Disquiet Junto collective, organized by <b>Marc Weidenbaum</b>,
will gather to perform speculative sound works that employ as source
material documentary audio from retail establishments. These musicians
will present imagined soundscapes inspired by Émile Zola's
characterization of the department store, in his novel <i>The Ladies' Paradise</i>, as "a machine working at high pressure." They'll also discuss their creative and technological practices.</span><br />
<br />
<br />
<span class="standardTextSm">
<b>Marc Weidenbaum </b>founded the website <a href="http://disquiet.com/" target="_blank">Disquiet.com</a> in 1996 at the intersection of sound, art, and technology. He has written for <i>Nature</i>, the website of <i>The Atlantic</i>,<i> Boing Boing</i>, <a href="http://newmusicbox.org/" target="_blank">NewMusicBox.org</a>,
and numerous other publications. He's teaching a fall 2012 class on
sound at San Francisco's Academy of Art. He's commissioned and curated
sound/music projects that have featured original works by Kate Carr,
Marcus Fischer, Marielle Jakobsons, John Kannenberg, Tom Moody, Steve
Roden, Scanner, Roddy Shrock, Robert Thomas, and Stephen Vitiello, among
others. He's currently writing a book about Aphex Twin's 1994 album <i>Selected Ambient Works Volume II</i> for the 33 1/3 series. He lives in San Francisco.
</span>
<br />
<br /></td>
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<td colspan="3"><hr />
</td>
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<td class="standardText" colspan="3"><br />
Please join us. <br />
All <a href="http://apexart.org/events.php">events</a> are free and open to the public.<br />
<div class="standardTextSm">
<b>apexart</b>'s
exhibitions and and public programs are supported in part by
the Affirmation Arts Fund, the Andy Warhol Foundation for the Visual
Arts, Bloomberg Philanthropies, Edith C. Blum Foundation, Mary Duke
Biddle Foundation, The Greenwich Collection Ltd., Lambent Foundation
Fund of Tides Foundation, and with public funds from the New York City
Department of Cultural Affairs and the New York State Council on the
Arts.</div>
<span class="standardTextLg"><b>apexart</b></span><br />
<span class="standardText">291 Church Street, NYC, 10013</span><br />
t. 212 431 5270<br />
<a class="standardText" href="http://www.apexart.org/">www.apexart.org</a>
Directions: A, C, E, N, R, W, Q, J, M, Z, 6 to Canal or 1 to Franklin. </td></tr>
</tbody></table>
ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-9660220272821926402012-11-16T14:07:00.001-08:002012-11-16T14:07:15.049-08:00Ken Butler interview<iframe allowfullscreen="allowfullscreen" frameborder="0" height="300" mozallowfullscreen="mozallowfullscreen" src="http://player.vimeo.com/video/53534472?badge=0" webkitallowfullscreen="webkitallowfullscreen" width="400"></iframe><br />ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-62826790299354712692012-11-15T12:40:00.002-08:002013-01-17T15:15:51.938-08:00 Gus Mazzocca: 4 Decades/4 Generations<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1zxnYL77bfyhQqZCeuBE7esXlhR46jzbjak1n7Yzf66SkNqpbT8HLqfGDl-SmpNQFXVBbV_gmVJLYhegsNZfMATbhVvnMpHAZEdpkx_Fdchg2xFcwGad0TYwojMFy1ojj3o6Z-poM_3Z7/s1600/P1014761(1).JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1zxnYL77bfyhQqZCeuBE7esXlhR46jzbjak1n7Yzf66SkNqpbT8HLqfGDl-SmpNQFXVBbV_gmVJLYhegsNZfMATbhVvnMpHAZEdpkx_Fdchg2xFcwGad0TYwojMFy1ojj3o6Z-poM_3Z7/s640/P1014761(1).JPG" width="640" /></a></div>
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The University of Connecticut<br />
<br />
Contemporary Art Galleries<br />
830 Bolton Road Storrs Connecticut 06269 - 1099<br />
barry.rosenberg@uconn.edu phone 860 486 1511 Fax 860 486 3869<br />
<br />
Press Release<br />
<br />
Contact information:<br />
Barry A. Rosenberg<br />
Barry.rosenberg@uconn.edu<br />
(860) 486 -1511<br />
<br />
Gus Mazzocca: 4 Decades/4 Generations<br />
<br />
Contemporary Art Galleries (Storrs Campus)<br />
January 28 – March 1, 2013<br />
<br />
Jorgensen Center for the Performing Arts<br />
January 28 – March 15, 2013<br />
<br />
Gus Mazzocca’s Roast and Reception<br />
Contemporary Art Galleries (Art Building)<br />
January 28 - 5:00 to 6:30 pm<br />
<br />
After four decades of teaching printmaking at the University of Connecticut, Prof.<br />
Gus Mazzocca retired at the end of last year. The Contemporary Art Galleries will be<br />
hosting a multi-site retrospective on Gus and his work entitled Gus Mazzocca: 4<br />
Decades/4 Generations, beginning on January 28, 2013. In addition to a monograph<br />
exhibition of Gus's work at the CAG, from January 28 through March 15 we will be<br />
featuring a group exhibition at the Jorgensen Center for the Performing Arts. This<br />
show will feature work from four artists who studied with Mazzocca. The multi-site<br />
retrospective stands as a testament to Mazzocca’s legacy at UConn, both as an artist<br />
and as a teacher.<br />
<br />
From a short list of outstanding artists provided by Mazzocca, Barry A. Rosenberg,<br />
Direc tor of the Contemporary Art Galleries has selected four to appear at the<br />
Jorgensen—one representing each decade of Mazzocca’s career. All four of these<br />
alumni have gone on to live exciting lives as well as having successful and<br />
idiosyncratic careers, and all four cite Gus’s teaching as a vital influence on their<br />
work.<br />
<br />
Representing the 1970s is Michael Maslin, a longtime cartoonist for the New Yorker<br />
whose work has been published extensively. His first-ever publication was printed<br />
for a limited release at UConn in 1976, and he still remembers his time with Prof.<br />
Mazzocca fondly. “I'm thrilled that the university is doing this for Gus, Maslin told<br />
Rosenberg. “I will be sure to attend the opening reception whether or not my work is<br />
included.”<br />
<br />
Aron Namenwirth, who studied with Prof. Mazzocca in the 1980s, is now a<br />
professional artist living in Brooklyn. He described Mazzocca as his best professor,<br />
including those he studied with for his MFA at Yale. “Gus was one of my favorite<br />
teachers, I look forward to the opportunity to tell him that.” In addition to his work in<br />
printmaking and painting, Aron is also a musician.<br />
<br />
Tyler Starr received his BFA from UConn in 1997, and was recommended by<br />
Mazzocca for his Fulbright Scholarship to study in Poland. He received his MFA<br />
from the University of Minnesota. He has worked as an emergency medical<br />
technician, which he cites as an important influence on his art’s interest in mortality<br />
and the unexpected. He is now an Assistant Professor at Davidson College. Starr<br />
holds a PhD from the Tokyo University of the Arts, and he works in video and<br />
animation as well as works on paper.<br />
<br />
Representing the 2000s, Kristi Arnold has been living in Australia and is nearing the<br />
end of her studies toward a PhD there, after previously earning her MFA at UConn.<br />
Her work engages vividly with color and symmetry. Mazzocca encouraged Arnold to<br />
spend time in Poland, where she, too, held a Fulbright Scholarship—she cites this as a<br />
profound influence on the trajectory of her career. Arnold commented when invited<br />
by Rosenberg to represent our present decade, “I've always had a soft spot for Gus.<br />
He's such a caring mentor and was such a huge inspiration for me.”<br />
<br />
The Contemporary Art Galleries is very excited about the opportunity to put together<br />
this retrospective for Gus Mazzocca. In addition to the retrospective at the CAG and<br />
the group show at the Jorgensen, we will have open walls for student and alumni<br />
contributions their thoughts in words and images of their own connection to Gus and<br />
printmaking on the UConn campus. in the Arena Gallery. The opening reception on<br />
January 28 will feature a roast of Prof. Mazzocca, with Prof. Deborah Dancy as<br />
roastmaster.<br />
<br />
Gus Mazzocca was born in Boston, Massachusetts. He received an M.F.A. degree in<br />
Painting/Printmaking from The Rhode Island School of Design, a B.F.A. degree in<br />
Painting, and a B.A. degree in Political Science from the University of Connecticut.<br />
He has been awarded a Doctor of Arts (honoris causa) from the Akademi Sztuk<br />
Pieknych w Krakowie (The Art Academy of Krakow) His work has been shown in<br />
numerous solo and group exhibitions at galleries and museums in Austria, Poland, the<br />
Netherlands, Germany, the Czech Republic, Italy, Japan, and the United States. He<br />
has been teaching at the University of Connecticut since 1970.<br />
<br />
“I continue to use the figure as a vehicle to create unfixed narratives that reflect<br />
movement, tension, struggle and celebration. The use of the digitally produced<br />
elements along with the more raw scratched and carved marks of the woodcut present<br />
a dichotomy that is ideally suited to these issues I present visually.”ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-84729840478940293832012-11-07T06:01:00.003-08:002012-11-07T06:01:35.105-08:00Marcin Ramocki Ultra<table cellpadding="0" cellspacing="0" class="uiGrid mvm"><tbody>
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<br />
L’associazione non profit art ex dono e spazio ULTRA sono lieti di
annunciare la mostra personale di Marcin Ramocki intitolata
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, curata da Chiara Moro. La mostra sarà inaugurata il 17
Novembre alle ore 18.30 presso lo spazio ULTRA _ Piazzetta Valentinis,
5_Udine _ Italia _ e potrà essere visitata fino al 26 Gennaio 2013 dal
Mercoledì al Sabato dalle 14.30 alle 19.30 o su appuntamento.<br /> <br /> <a href="http://www.spazioultra.org/" rel="nofollow nofollow" target="_blank">www.spazioultra.org</a><br /><div class="text_exposed_show">
<br /> <br />
Nella sua prima mostra personale a Udine, Marcin Ramocki presenterà un
nuovo progetto incentrato sul concetto di corpo, in particolare del
corpo umano e della sua re-definizione.<br /> </div>
, titolo della
mostra e del suo ultimo lavoro video, che sarà presentato per la prima
volta a Udine, è il tag che definisce la fine di tutti i contenuti della
pagina web. Fine effettiva del corpo del documento, ma sostanzialmente,
inizio di una esplorazione poetica di cui il corpo necessita. Che cosa,
quindi, è il "corpo" nell'universo della pura simulazione? Come si
sente e percepisce? Ha ancora dei rimandi al corpo del 1993, quando
appariva il primo browser pensato per il web?<br /> La ricerca di Marcin Ramocki cerca delle risposte, non definitive, a questi quesiti attraversando linearmente l'intera mostra.<br /> <br /> <br /> Grazie alla partnership con Accademia delle Belle Arti di Venezia, Assi.Udine, Cec,<br /> ETRARTE, eflux, Visionario, Marcin Ramocki sarà presente:<br /> <br /> _Giovedì 15 Novembre presso l'Accademia di Venezia dalle 10.30 alle 17.30 _ Lecture e<br /> Workshop<br /> _Venerdì 16 Novembre alla proiezione del video documentario 8Bit e alla prima assoluta del suo<br /> nuovo lavoro video alle 20.15 presso il Visionario di Udine, seguirà un party in suo<br /> onore con performance musicale di Railster<br /> _Sabato 17 Novembre all’inaugurazione della sua prima personale a Udine presso lo <br /> spazio ULTRA alle 18.30<br /> <br /><span> --------------------------</span><wbr></wbr><span class="word_break"></span>--english---------------<br /> <br />
The non-profit association art ex dono and ULTRA space are pleased to
announce the solo exhibition of Marcin Ramocki entitled ,
curated by Chiara Moro. The exhibition will be opened on November 17th
at 6.30pm at the ULTRA space _ Piazzetta Valentinis, 5 _ Udine _Italy _
and it will be open until January 26th, 2013 from Wednesday to Saturday
from 2.30pm to 7.30pm or by appointment.<br /> <br /> <a href="http://www.spazioultra.org/en" rel="nofollow nofollow" target="_blank"><span>http://</span><wbr></wbr><span class="word_break"></span>www.spazioultra.org/en</a><br /> <br /> In his first solo exhibition in Udine, Marcin Ramocki will present a new project focused on the<br /> concept of the body, especially of the human body and its re-definition.<br />
, title of the exhibition and his most recent art-video,
which will be presented for the first time in Udine, is the tag that
defines the end of all content on the web page. End of the body of the
document, but also an opening of certain poetic exploration that the
body needs. So, what is "body" in the universe of pure simulation? How
does it feel? Does it resemble the body we<br /> remember from 1993, when the first browser for the web appeared?<br /> Marcin Ramocki research seeks to answer these questions crossing as main thread all the exhibition in Udine.<br /> <br /> <br />
By partnering with the Accademia delle Belle Arti di Venezia,
Assi.Udine, Cec, ETRARTE, eflux, Visionario, Marcin Ramocki will attend<br /> <br /> _Thursday, November 15th at the Accademia delle Belle Arti di Venezia from 10.30am to 5.30pm _<br /> Lecture and Workshop<br /> _Friday, November 16th at the screening of 8bit, documentary-movie and the world premiere of his<br /> new video at 8.15pm at Visionario in Udine, followed by a party in his honor with<br /> musical performance by Railster<br /> _Saturday, November 17th at the opening of his first solo exhibition in Udine at ULTRA space at<br /> 6.30pm<div>
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ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-62480909027934408042012-10-23T12:24:00.001-07:002012-10-23T12:24:07.022-07:00Cole Sayer at JTT<span style="font-size: 10pt;"><span style="font-family: helvetica;"><b>JTT</b> is proud to announce its first solo exhibition with New York based artist <b>Cole Sayer</b> (b.1984 Nashville,TN).</span></span><br />
<span style="font-size: 10pt;"><span style="font-family: helvetica;">Artist Statement:</span></span><br />
<span style="font-size: 10pt;"><span style="font-family: helvetica;">I
like this argument that’s taking place in sports right now around the
use of performance enhancement. The ban on steroids, certain fabrics,
and inevitably prosthetics goes beyond regulating a level playing field.
Rather, it gives definition to the dividing line between natural and
synthetic, ontologically enforcing a staid definition of what it means
to be human. It’s like the old dialogue of what is art, before
legalizing steroids in the art world a long time ago and blowing the
roof off the house.</span></span><br />
<span style="font-size: 10pt;"><span style="font-family: helvetica;">I
want to give form to the limitless promise of the upgrade, how the
newest version will always surpass the old. Walking into an art store is
no different than walking into the Footlocker. The state-of-the-art
supplies echo the guarantee of the latest moisture wicking, light
weight, energy efficient sneaker; the promise to make you run faster and
jump higher than ever before. Only in small increments though, Olympic
athletes train their entire lives to improve the one hundred yard dash
by a fraction of a second. There’s a really nice fatalistic poetry to
that.</span></span><br />
<span style="font-size: 10pt;"><span style="font-family: helvetica;">The
sculptures and paintings in …like we said we would are not made any
differently than how one intuitively makes a sculpture or painting.
Material is manipulated, bent, and squeezed. I make a mark on the canvas
and then step back, look at it, and make another move. It’s that same
techno influenced, self aware formalism that shows you surf the
Internet, just performance enhanced by whatever weird plasticky product
was newly released. The aesthetics of gradients, texture mapping, and
polygons bare a kind of optimism for progress. The work mimes the façade
of technology that becomes an ergonomic mirror of the desires of its
host, revealing the competitive elephant in the room. It offers the
world but barely moves even a millionth of an inch. — 2012</span></span><br />
<span style="font-size: 10pt;"><span style="font-family: helvetica;"><br /></span></span>
<span style="font-size: 10pt;"><span style="font-family: helvetica;"><b>Cole Sayer<br />
October 28 - December 9</b></span></span><br />
<span style="font-size: 10pt;"><span style="font-family: helvetica;"><b><i>We should have ended it all there<br />
in the Hamptons on acid<br />
like we said we would</i></b></span></span><br />
<span style="font-family: helvetica; font-size: 10pt;"><b>Opening Reception<br />
Sunday, October 28, 6 - 8pm</b></span><br />
<span style="font-family: helvetica; font-size: 10pt;"><b><br /></b></span>
<span style="font-family: helvetica; font-size: 10pt;"><b>JTT<br />
170a SUFFOLK STREET<br />
NEW YORK NY 10002</b></span><br />
<span style="font-family: helvetica; font-size: 10pt;"><b><a href="http://jttnyc.com/" target="_blank">jttnyc.com</a></b></span>ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-44405405191324388652012-10-09T07:13:00.002-07:002012-10-09T07:13:34.280-07:00The Towelettes Sail your sunfish into the Sun<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/1bkzEfD4RRE" width="420"></iframe><br />
<br />
<br />
Freddie's Back Room<br />
Special Thanks<br />
Stephanie Young and Vellum Magazineahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-90667094981950756892012-09-28T10:17:00.003-07:002012-09-28T10:29:57.274-07:00John S. Gregoropoulos<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMayhqORnfqjaOCGwk6iOadBMrBPnfluuSw-8nKNhk54wCI-nipkZAUqNL8Z7z_nGjp5jSj5DSto_TdNvH5SuQyfDwMbaX54lP8uxYcIBW0B2NAycQ3kKDeHLIy8kETNz1bm1OTpVwXlVm/s1600/90711.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="476" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMayhqORnfqjaOCGwk6iOadBMrBPnfluuSw-8nKNhk54wCI-nipkZAUqNL8Z7z_nGjp5jSj5DSto_TdNvH5SuQyfDwMbaX54lP8uxYcIBW0B2NAycQ3kKDeHLIy8kETNz1bm1OTpVwXlVm/s640/90711.jpg" width="640" /></a></div>
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John was a painting professor of mine. Not only was he he a great teacher, but his paintings really rocked, hailing the sublime in a Rothko esque light and color. He was also an incredibly nice guy inviting us to his studio for cheese crackers and wine many a weekend. He was cool too, coming into the University of Connecticut art School with style, biplane goggles and scarf ready to take us into the clouds. ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-82957963881569717872012-09-11T08:05:00.000-07:002012-09-11T08:08:28.752-07:00Lucky Climber<h1>
Creator of Luckey Climbers Has Died
</h1>
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Branford's Thomas Walker Luckey remembered by daughter Owen Luckey.
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<span class="date">
August 29, 2012
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<div class="main_text">
Thomas Walker Luckey, an artist, sculptor and architect renowned for
his one-of-a-kind climbing sculptures, died Sunday, August 19 at
Yale-New Haven Hospital at the age of 72 from complications of
pneumonia. A graduate of the Yale School of Architecture, Tom’s
fascination with movement and his desire to create positive spaces
inspired a diverse portfolio including merry go-rounds, a convertible
staircase/slide, and the iconic “Luckey Climbers” that have delighted
children and adults alike, in cities across America and the world.<br />
<br />
Tom
Luckey was a visionary, a creative genius, a legendary optimist, an
exuberant showboat, and an infamous fun-maker. He was an avid collector
of friends, regardless of age; all that mattered was whether you were
willing to take a leap with him towards his ultimate goal: superlative
joy.<br />
<br />
Tom was born on January 6, 1940 in Quantico, VA, on the
Marine Corps base where his family was stationed. His parents were Cary
Dabney Walker and Robert Burneston Luckey, Lt. Gen. USMC. His
grandparents were General Merriwether Lewis Walker and Edith Colby Carey
(maternal) and George B. Luckey and Alice Owens (paternal). Tom was the
quintessential military brat, moving frequently throughout his
childhood.<br />
<br />
Even in those early years, Tom showed a unique ability
to envision and bring to life imagined forms. He was always working
with his hands and led by his dreams. From simple carvings, he built up
to larger projects including a little cottage on Martha’s Vineyard,
which he built when he was 16. He eventually settled in Branford, CT,
where he subjected his house to imaginative additions and modifications
for more than 35 years.<br />
<br />
Throughout his career, Tom welcomed
challenges and was stimulated by obstacles. He embraced uncertainty in
his art and adapted to unanticipated hurdles. Most recently, he suffered
a tragic accident that left him paralyzed from the shoulders down.
This was a change in his life most would find impossible, but Tom was
often heard to say that “falling on my head was the best thing that ever
happened to me.” It was a brave statement that he somehow made
believable with his remarkable wit and optimism. Indeed, his career took
off and his social life flourished during the final chapters of his
life, testament to his remarkable talent and insatiable curiosity.<br />
<br />
Tom
leaves behind his wife Ettie Minor Luckey, and their children, daughter
Kit and son Walker, as well as two older children, daughter Owen and
son Spencer from his first wife, Elizabeth M. Possidente. He is also
survived by his sister, Laura, brother, William, and three
grandchildren. <br />
<br />
A Memorial Service will be held on Saturday,
September 8, 3:30 p.m. at Battell Chapel, Yale University, New Haven,
CT, followed by a reception at 200 Meadow Street, East Haven CT. All are
welcome.<br />
<i>Information provided by Owen Luckey</i></div>
ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-43167691922490907352012-07-17T17:32:00.002-07:002012-07-17T21:05:10.519-07:00What to do: Dirt Bikes at OTTO"S Shrunken Head or Alex Skoinick at Feature July 19 8 pm.<div class="separator" style="clear: both; text-align: center;">
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<br />ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-79763115683730043012012-06-25T18:59:00.002-07:002012-06-25T19:01:55.577-07:00Anne Culver<br />
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<br />ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-17557260903571662472012-05-05T11:08:00.001-07:002012-05-05T11:08:52.347-07:00Borna Sammak Jeff Cold Beer<span style="font-size: medium;"><span style="font-family: trebuchet ms,sans-serif;">Friends,<br /><br />Come to this, <br />my first non-electronics-store solo show<br /></span></span><br />
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JTT<br />
<a href="http://maps.google.com/maps?f=q&source=s_q&hl=en&geocode=&q=170A+SUFFOLK+STREET+NEW+YORK+NY+10002+&sll=37.0625,-95.677068&sspn=38.22949,86.220703&vpsrc=0&ie=UTF8&hq=&hnear=170+Suffolk+St,+New+York,+10002&t=m&z=16" style="color: #009900; text-decoration: none;" target="_blank">170A SUFFOLK STREET<br />
NEW YORK NY 10002<br />
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<span style="color: #9933cc; font-family: sans-serif; font-size: 18px; line-height: 18px;"><span class="il">BORNA</span> SAMMAK</span></div>
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<i style="color: #9933cc; font-family: sans-serif; font-size: 18px; line-height: 18px;">JEFF COLD BEER</i></div>
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OPENING RECEPTION:<span style="color: #333333; font-family: Arial,'Arial Unicode MS',Helvetica,Verdana,sans-serif;"><span style="font-size: 12px; line-height: normal;"> </span></span>SUNDAY, MAY 6th, 6pm to 8pm</div>
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<br /><br /><span style="font-size: medium;"><img alt="Inline images 1" src="https://mail.google.com/mail/?ui=2&ik=e659435325&view=att&th=136f491e5fcb4b15&attid=0.3&disp=emb&realattid=ii_136f15626a42c370&zw&atsh=1" /> <br /><br style="font-family: trebuchet ms,sans-serif;" /><span style="font-family: trebuchet ms,sans-serif;">If JEFF is a measure or degree of coldness, what is </span><a href="https://www.google.com/search?q=thomas+ice&tbm=isch" style="font-family: trebuchet ms,sans-serif;" target="_blank">THOMAS</a><span style="font-family: trebuchet ms,sans-serif;">?<br />
<br /><img alt="Inline images 2" src="https://mail.google.com/mail/?ui=2&ik=e659435325&view=att&th=136f491e5fcb4b15&attid=0.2&disp=emb&realattid=ii_136f15a45cb1ddd7&zw&atsh=1" /></span><br />a shape? a texture? what is a texture other than a style of shape?<br /><br />below is an image of a Cheeto, as Cheeto has never before been seen</span><br />
<img alt="Inline images 3" src="https://mail.google.com/mail/?ui=2&ik=e659435325&view=att&th=136f491e5fcb4b15&attid=0.1&disp=emb&realattid=ii_136f15ce2a00c6bb&zw&atsh=1" /><br /><i>Cheeto, As Investigated By Expensive Microscope, </i>2012<br /><br /><span style="font-family: trebuchet ms,sans-serif;"><span style="font-size: medium;">what, then, <br />do we call this shape? <br />
the shape that, <br />when repeated many millions of times <br />creates the texture we know as Cheeto<br /><br />i, for one, propose we name it GEOFF<br />in honor of the microscopist who <br />first pointed $ 800,000.00 worth of lasers<br />
at a fucking Cheeto</span></span>ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-9859747919938002182012-04-05T10:45:00.001-07:002012-04-05T10:48:21.283-07:00Andy Warhol self portraithttp://<a href="http://www.google.com/imgres?hl=en&client=firefox-a&hs=KFX&sa=X&rls=org.mozilla:en-US:official&biw=1550&bih=750&tbm=isch&prmd=imvnso&tbnid=rpTvoNUIeLztgM:&imgrefurl=http://artmovingprojects.blogspot.com/2008/09/addision-thompson-finds-andy-warhol.html&docid=Hujfsq3UOgVXiM&imgurl=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd_NJbp4Z8zvTWKt6khaM-KpAwVrh9fG73yXJ2GkM8o5iV2Hqur5Favp6oK6tqasMvS4EkVEIo8x0rEuEWNiBJbZsSjiZ_etZNxCDf_S-xYo9SC28CHtn926hqX74t9fCKg2SvGPBSzZ7P/s400/self-portrait.jpg&w=299&h=400&ei=itp9T4bqJY2c8QTNpMToDA&zoom=1&iact=hc&vpx=1129&vpy=377&dur=18&hovh=260&hovw=194&tx=99&ty=148&sig=111601818006028643380&page=2&tbnh=135&tbnw=104&start=30&ndsp=49&ved=1t:429,r:46,s:30,i:336">andy self potrait</a><br style="clear:both;"> <h1 class="pr-title">$5 Find Could Be $2 Million Andy Warhol Sketch</h1> <div class="pr-head"> <em> 4 April 2012</em> </div> <div class="pr-body" style="margin:5px 0;float:right;width:220px;"> <table border="0" cellpadding="0" cellspacing="0"> <tbody><tr> <td style="width:160px;padding:5px 5px;vertical-align:middle;" align="center"> <div class="iolay"> <a href="http://www.artfixdaily.com/images/newsfeed/Apr4_warhol.jpg" rel="floatbox" rev="" title="This $5 garage sale find could be an early sketch made by Andy Warhol around age 11."><img alt="This $5 garage sale find could be an early sketch made by Andy Warhol around age 11." src="http://www.artfixdaily.com/images/newsfeed/Apr4_warhol200x113.jpg?1333579283" style="vertical-align:bottom;border-bottom:none;" title="This $5 garage sale find could be an early sketch made by Andy Warhol around age 11." /></a> <div class="iodesc"> <p class="iocont">click to enlarge </p> </div> </div> </td> </tr> <tr> <td align="center"><div class="pr-cap"> <div>This $5 garage sale find could be an early sketch made by Andy Warhol around age 11.</div> </div></td> </tr> </tbody></table> </div> <div class="pr-body"> <p>A possible early Andy Warhol drawing has been discovered in an unlikely place.</p> <p>English businessman Andy Fields purchased a drawing by legendary art patron Gertrude Stein at a Las Vegas garage sale for the astonishingly low price of $5, a notable find in and of itself. The seller's aunt had once babysat for Andy Warhol, and in the process of reframing the Stein drawing, Fields found what could be a drawing done by an adolescent Warhol.</p> <p>The image is said to be of 1930s singer Rudy Valee, with bright red lips and sketched on a background of yellow, orange and green squares. </p> <p>A value of over $2 million has been placed on the work, but the drawing has yet to be 100% authenticated. </p> <p>Fields says he hopes the work will be put on display in a museum for all to see.</p> </div> <div class="bteaser"><a href="http://www.bbc.co.uk/news/uk-england-devon-17591826" class="read_more" style="margin-left:0;">Read more at <em>BBC</em></a></div>ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-80516559676579367552012-03-19T18:40:00.001-07:002012-03-19T18:40:47.618-07:00OUT SIDE: MICHELE ARAJUO, ELANA HERZOG, LISA SIGAL<div><br /></div><p style="text-align:left"><span style="font-family:Arial;font-weight:700"><img src="https://mail.google.com/mail/?ui=2&ik=e659435325&view=att&th=1362b6dfe24cbbff&attid=0.1.1&disp=emb&zw&atsh=1" height="591" width="804" /></span></p><p style="text-align:left"><span style="font-family:Arial;font-weight:700"><br /></span></p><div style="text-align:left"><span style="font-family:Arial;font-weight:700"></span><br /></div><div style="font-family:Helvetica;font-weight:normal"><p style="text-align:center"><span style="font-family:Arial;font-size:16px;font-weight:bold">OUT SIDE: MICHELE ARAJUO, ELANA HERZOG, LISA SIGAL</span></p></div><div style="font-family:Helvetica;font-weight:normal"><div style="text-align:center"><span style="font-family:Arial"><span style="font-family:arial"></span></span><br /></div><div><div><p style="text-align:center"><span style="font-family:ArialMT"><b>Opening: March 29, 7-9 P.M.<br /></b></span></p></div></div><div><div><div><p style="text-align:center"><span style="font-family:ArialMT">Exhibition Dates: March 29, 2012 - April 22, 2012</span></p></div></div></div><span style="font-family:Arial;font-weight:bold"><span style="font-family:arial;font-weight:normal"></span></span></div><div><br /></div><p style="text-align:center"><span style="font-family:Arial;font-weight:700"><br /></span></p><p style="text-align:left"><span style="font-family:Arial;font-weight:700">Out Side </span><span style="font-family:ArialMT">showcases the work of three artists, Michele Araujo, Elana Herzog and Lisa Sigal. All three work abstractly, with an awareness of the theatrical potential of materials and a desire to dislodge the viewer from a sense of previously understood terrain. Formal abstraction becomes a means to step outside, to lead the viewer through and past boundaries to an intimation of meaning that cannot be fulfilled in the traditional sense.</span></p><p><span style="font-family:ArialMT">For Herzog, there is a powerful sense of absence and incompleteness in her structures, a presence infiltrated by what is not there. Like scenes from a comic opera, she creates playful, intimate, psychological spaces. Sigal’s structures utilize great economy, fostering a sense of the definitive while subtley relocating the viewer to a lesser known place. By using day-to-day materials she offers the viewer a sense of familiarity before insinuating bigger questions of where the frame and the viewer are located. For Araujo there is a feeling of abandon and desperation in her surfaces. The ever-present collage material consistently interrupts the flow of paint, even as it wreaks havoc on the cohesiveness of the picture plane. The combined result of these dislocations and disruptions are emotionally saturated works delivered with subtlety and elegance.</span></p><div><br /></div><div><br /></div><p style="text-align:center;font-family:arial"><span style="font-family:ArialMT"><a href="http://www.michelearaujo.com/" target="_blank">www.michelearaujo.com</a></span></p><p style="text-align:center;font-family:arial"><span style="font-family:ArialMT"> </span><span style="font-family:ArialMT"><a href="http://www.elanaherzog.com/" target="_blank">www.elanaherzog.com</a></span></p><p style="text-align:center;font-family:arial"><span style="font-family:ArialMT"> </span><span style="font-family:ArialMT"><a href="http://www.lisasigal.net/" target="_blank">www.lisasigal.net</a></span></p>ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-12495235082294498192012-02-21T08:29:00.001-08:002012-02-21T08:29:43.445-08:00art fag benefit<div class="headline_area"><h1>The Art Fag City Rob Pruitt Art Awards and Auction*</h1></div><p style="text-align: center;"><a href="http://www.artfagcity.com/support/2012-benefit/#buy"><img class="aligncenter" title="Benefit Awards GIF for Web" src="http://folder.doubletriple.net/projects/afc/art-awards/artAwards-tall-animated.gif" alt="" height="700" width="560" /></a></p><h2 style="text-align: center;"><a style="font-size: 2.5em;" href="http://www.artfagcity.com/support/2012-benefit/#buy">Get your ticket now!</a></h2><p><strong></strong><strong>Who used their genitals best this year?<br />Who spent the most time doing nothing?<br />Who is the art world’s best Jerry?<br />Who is 2012′s most ubiquitous person?<br /></strong><em>(and most importantly) </em><strong></strong><strong><br />Who is 2012′s Most Powerful Person in the Art World, by bench press?</strong></p><p>This <strong>February 23rd</strong>, Art Fag City will host The AFCRPAAaA*, because let’s face it: no one can get enough of Rob Pruitt (or the quiet implication that he may be involved somehow, in spirit). Get ready for awards, cocktails, and mayhem.</p><p style="text-align: left;"><strong>When:</strong><br />Thursday February 23rd, 2012<br />6:30 – 10 PM</p><p style="text-align: left;"><strong>Where:</strong><br />Site/109<br />109 Norfolk<br />New York, NY 10002</p><p>We haven’t announced all the details yet, but here’s what we can tell you:</p><ul><li>An auction with auctioneer <strong>C K Swett</strong>, featuring work and contributions by <strong>Zachary Aarons</strong>,<strong> Joshua Abelow</strong>,<strong> AIDS 3D</strong>, <strong>Greg Allen</strong>,<strong> John Baldessari</strong>, <strong>Bruce High Quality Foundation</strong>, <strong>Saul Chernick</strong>,<strong> John Giorno</strong>,<strong> Debbie Harry </strong>(yes, that one),<strong> Independent Curators International</strong>,<strong> Richard Kern</strong>,<strong> Scott Kilgour</strong>,<strong> Marilyn Minter</strong>,<strong> Stephen Petronio, Rob Pruitt</strong>,<strong> </strong><strong></strong><strong>Johnny Reinhold, Felix Salmon</strong>,<strong> Alec Soth</strong>,<strong> Penelope Umbrico</strong>, and<strong> Hennessy Youngman</strong></li><li>Awards decided by an expert jury including <strong>Anton Vidokle</strong>, <strong>William Powhida</strong>, and <strong>Jen Dalton</strong>.</li><li>An Award ceremony hosted by <strong><a href="http://www.twitter.com/powhida">William Powhida</a></strong></li><li><a href="http://andrewandrew.tumblr.com/">Andrew Andrew</a> to DJ</li><li>Free bouncy rides by <strong><a href="http://natehillisnuts.com/free-bouncy-rides/" target="_blank">Nate Hill</a></strong></li><li>A pig fountain, providing a selection of smoked meats and live-gathered fresh fruits wrapped in edible gold and silver, provided by <strong><a href="http://www.artfagcity.com/2011/01/06/the-apolocalpse-isnt-so-bad/" target="_blank">Jen Catron and Paul Outlaw</a></strong></li><li>Drinks provided by <strong id="internal-source-marker_0.041412965627387166">Bomb Beer</strong>,<strong id="internal-source-marker_0.041412965627387166"> Blue Moon</strong>, and<strong id="internal-source-marker_0.041412965627387166"> White Pike Whiskey</strong></li><li>Music<strong></strong></li><li>and special guests!**</li></ul><p>Prepare for a night of entirely too much.</p><p>The best part of all? All proceeds from the AFCRPAAaA* ticket sales will go directly to keeping New York’s best art blog running. Tickets are $100, $50 for artists. If you’re buying a full-price ticket, and feeling extra-generous, you can also choose to sponsor an artist for just $50 more – which means we’ll be able to give somebody out there (your choice or ours) a free ticket to the event of the <del>year</del> <del>season</del> month. All the ordering information’s below – we hope to see you at the awards!</p><p>In-kind donations from Abrams Books, ArtCat/Idiom, Collectrium, Double Triple, Independent Curators International, The L Magazine, Nectar Ads, Roberta’s, Skyframe, Site/109, and Yerba Buena</p><p><strong>Benefit Committee Members</strong>: Joshua Abelow, Helen Allen, Fred Benenson, Jill Brienza, Catherine Brodsky, Sean Capone, Carolyn Cartwright, Lauren Cerand, Saul Chernick, Collectrium, Andrew Ehrenworth, Michael Gillespie, Rachel Greene, Veken Gueyikian, Dylan Fareed, Dave Harper, Heather Hubbs, Rob Hult, Julia Kaganskiy, Ingrid Bromberg Kennedy, Scott Kilgour, Rhiannon Kubicka, Allegra LaViola, Michelle Levy, Doreen McCarthy, Risa Needleman, Murat Orozobekov, Marsha Owett, Marcin Ramocki, Sara Reisman, Magda Sawon, Andrea Serbonich, Daniel Stedman, Steven Stern, Steven Stewart, Jeffrey Teuton, Benjamin Tischer, John Thomson, Alexis Tryon, Ken Tyburski, Rachel Uffner, Penelope Umbrico, Manish Vora, Sam Wilson</p><p><em>*Still not affiliated with Rob Pruitt</em><br /><em>**Possibly including Rob Pruitt</em></p>ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-25662199303650081412012-02-14T05:13:00.002-08:002012-02-14T05:16:04.055-08:00via John Gasner<div id="main_container"> <div id="content_container"> <div id="story" class=""> <div class="story-headers"> <h1 class="story-header">Long Island City lab on cutting edge of urban farming with aquaponic system </h1> <h2 class="story-subheader">LOFT LIC to set up water-based growing systems on rooftops and lots </h2> <a id="commentsTab-1443636" class="goto-comments" href="http://www.nydailynews.com/new-york/queens/long-island-city-lab-cutting-edge-urban-farming-aquaponic-system-article-1.1021844#commentpostform">Comments</a> <h3 class="byline"> By <a href="http://www.nydailynews.com/authors?author=Clare%20Trapasso">Clare Trapasso</a> / NEW YORK DAILY NEWS </h3> <h5 class="dates">Tuesday, February 14, 2012, 6:00 AM</h5> </div> <div class="story-share"><br /><div class="dynamic"><div style="display: block;" class="vertical"> <div> <div> <div id="vertical_gig_containerParent"> <div style="visibility: visible;" id="vertical"><div class="gig-bar-container gig-share-bar-container"><table cellpadding="0" cellspacing="0"><tbody><tr><td style="position:relative;zoom:1;"><div class="gig-button-container gig-button-container-facebook-like gig-share-button-container gig-button-container-vertical gig-share-button-container-vertical"><div id="vertical-reaction0"><div class="fb-like fb_edge_widget_with_comment fb_iframe_widget" width="55" faces="false" ref="s=showShareBarUI:p=facebook-like" href="http://www.nydailynews.com/new-york/queens/long-island-city-lab-cutting-edge-urban-farming-aquaponic-system-article-1.1021844" layout="box_count" action="recommend" btnid="vertical-reaction01329225216114" colorscheme="" font=""><span></span></div></div></div><br /></td></tr><tr><td style="position:relative;zoom:1;"><br /></td></tr><tr><td style="position:relative;zoom:1;"><br /></td></tr><tr><td style="position:relative;zoom:1;"><div class="gig-button-container gig-button-container-stumbleupon gig-share-button-container gig-button-container-vertical gig-share-button-container-vertical"><table cellpadding="0" cellspacing="0"><tbody><tr><td style="text-align:center" align="center"><br /></td></tr><tr><td class="gig-button-td" style="text-align:center"><div class="gig-button gig-share-button gig-button-up gig-button-count-top" id="vertical-reaction3" title="" alt=""><table cellpadding="0" cellspacing="0"><tbody><tr><td id="vertical-reaction3-left"><br /></td><td id="vertical-reaction3-icon" style="vertical-align:middle;text-align:left;background-repeat:repeat-x;background-image:url('http://cdn.gigya.com/gs/i/shareBar/button/buttonCenterImgUp.png')"><br /></td><td id="vertical-reaction3-text" style="vertical-align:middle;background-repeat:repeat-x;background-image:url('http://cdn.gigya.com/gs/i/shareBar/button/buttonCenterImgUp.png')"><br /></td><td id="vertical-reaction3-right"><br /></td></tr></tbody></table></div></td></tr></tbody></table></div></td></tr><tr><td style="position:relative;zoom:1;"><br /></td></tr><tr><td style="position:relative;zoom:1;"><br /></td></tr><tr><td style="position:relative;zoom:1;"><br /></td></tr><tr><td style="position:relative;zoom:1;"><br /></td></tr></tbody></table></div></div><a target="new" href="http://www.nydailynews.com/new-york/queens/long-island-city-lab-cutting-edge-urban-farming-aquaponic-system-article-1.1021844?print" class="story-print"></a> </div> </div> </div> </div> </div> </div> <div class="story-img"> <img title=" Rael Clarke works in his aquaponics lab in Long Island City where he grows heirloom vegetables and tilapia using a water-based system. " alt=" Rael Clarke works in his aquaponics lab in Long Island City where he grows heirloom vegetables and tilapia using a water-based system. " src="http://assets.nydailynews.com/polopoly_fs/1.1021842.1329158786%21/img/httpImage/image.jpg_gen/derivatives/landscape_635/image.jpg" height="422" width="635" /> <h4 class="credit">Christie Farriella for New York Daily News</h4> <h4 class="caption"> Rael Clarke works in his aquaponics lab in Long Island City where he grows heirloom vegetables and tilapia using a water-based system.</h4> </div> <div class="story-rail"> <div class="story-img images"> <img title=" Rael Clarke works in his aquaponics lab in Long Island City where he grows heirloom vegetables and tilapia using a water-based system. " alt=" Rael Clarke works in his aquaponics lab in Long Island City where he grows heirloom vegetables and tilapia using a water-based system. " src="http://assets.nydailynews.com/polopoly_fs/1.1021843.1329158812%21/img/httpImage/image.jpg_gen/derivatives/landscape_200/image.jpg" height="133" width="200" /> <h4 class="credit">Christie Farriella for New York Daily News</h4> <div class="caption"><h4>Rael Clarke works in his aquaponics lab in Long Island City where he grows heirloom vegetables and tilapia using a water-based system.</h4></div> </div> </div> <div class="story-body"> <p> A former Abercrombie & Fitch model has become a pioneering urban farmer without trading in his preppy clothes for overalls.</p> <p> <a title="Rael Clarke" href="http://www.nydailynews.com/topics/Rael+Clarke">Rael Clarke</a>, the 24-year-old owner of LOFT LIC, transformed a Long Island City office into a laboratory where organic vegetables and fish are grown using an eco-friendly aquaponics system.</p> <p> Clarke plans to turn the system into a business that sets up the water and space-saving designs on rooftops and vacant lots across the city</p> <p> . He is trying to raise $6,000 by March 1 on the fundraising website kickstarter.com for the project.</p> <p> “My plan is to spread the knowledge of how to grow your own food,” Clarke said. “I wanted to show you could grow a high-density amount of food in a small carbon footprint.”</p> <p> The growing system builds on the local food movement that has spawned urban farms and greenhouses all over the city.</p> <p> Clarke constructed the aquaponic mechanism last month from plastic tubs, tubes and wood from Home Depot after he read a manual on the water-based growing method.</p> <p> “I hope to one day see systems like this all across New York,” said Clarke, who lives on the upper East Side. “It’s the most sustainable way to produce food in New York.”</p> <p> It works by piping fish waste generated by tilapia and goldfish swimming in his 27-gallon tank into a plastic tub filled with water, worms, clay pellets and seeds.</p> <p> The waste becomes food for the plants once they sprout. They are then moved into an 8-foot-tall pipe system that resembles a bookcase propped up against a wall.</p> <p> The seedlings continue to be fed the same water circulated through the system through holes in the piping before the liquid is piped back into the fish tank.</p> <p> “The nutrients all come from the fish,” Clarke said. “I don’t feed the plants at all.”</p> <p> <a title="Christopher Toole" href="http://www.nydailynews.com/topics/Christopher+Toole">Christopher Toole</a>, who gives lectures in the Bronx on urban farming, said aquaponics makes growing food easy in the city.</p> <p> “Aquaponics have caught [on\] in the locavore movement, the organic movement [and\] the sustainability movement,” he said. “It’s sustainable, it’s economical and suitable for urban and crowded environments.”</p> <p> Brooklyn College Biology Professor Martin Schreibman said it’s “the wave of the future.”</p> <p> “This is going to be the new revolution in food production,” he said. “You can raise a lot of food in a very limited areas without using much water or any soil at all.”</p> <p> <i>ctrapasso@nydailynews.com</i></p> </div> </div></div></div><br />Read more: <a style="color: #003399;" href="http://www.nydailynews.com/new-york/queens/long-island-city-lab-cutting-edge-urban-farming-aquaponic-system-article-1.1021844#ixzz1mMTyjQdV">http://www.nydailynews.com/new-york/queens/long-island-city-lab-cutting-edge-urban-farming-aquaponic-system-article-1.1021844#ixzz1mMTyjQdV</a>ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-21232152776246810472012-02-01T14:35:00.001-08:002012-02-01T14:35:56.148-08:00Destroy all Monsters<iframe src="http://www.youtube.com/embed/qmsTcey5e20" allowfullscreen="" frameborder="0" height="315" width="560"></iframe><br /><br />Mike Kelly R.I.P.ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-38919572311701535242012-01-19T08:46:00.000-08:002012-01-19T08:47:02.880-08:00Sopa Pipa ProtestWe are shutting down.ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0tag:blogger.com,1999:blog-6091807308241076104.post-44225952593297771062011-12-23T06:39:00.000-08:002011-12-23T06:40:14.945-08:00Makes no sense at all Husker Du<iframe src="http://www.youtube.com/embed/J1sYN0PuRs4" allowfullscreen="" frameborder="0" height="315" width="420"></iframe>ahttp://www.blogger.com/profile/12857120463259271936noreply@blogger.com0