Wednesday, September 29, 2010

Gerhard Richter at the Drawing Center



Gerhard Richter

"Lines which do not exist"

September 11 – November 18, 2010
Click on the Thumbs to View a Different Image




Interview with Gerhard Richter

The Drawing Center will present an enhanced version of an exhibition originally on view at Middlesbrough Institute of Modern Art (mima), UK in 2009. This presentation is comprised of approximately 50 graphite, watercolor, and ink on paper drawings made by Gerhard Richter (b. 1932, Dresden, Germany) over a period of five decades from 1966 to 2005. Although Richter is most celebrated as a painter, this exhibition focuses on the artist’s works on paper and explores his complex personal relationship with drawing. The first of its kind in the U.S., the exhibition will also be Richter’s first solo show in a public institution in New York since 40 Years of Painting at The Museum of Modern Art (2002).

Curated by Gavin Delahunty, Curator, Middlesbrough Institute of Modern Art, UK.

Image: Gerhard Richter, R.O., 22.1.1984, 1984. Watercolor on paper, 5 1/8 x 7 1/8 inches. Private Collection, Berlin.

This show proved a let down. It appears that Richter is very good with color, paint and representation, none of the ingredients of this small survey of enigmatic works. The few paintings in the exhibition shined, but felt misplaced. Recently, I was looking through the artists website which got me really interested in his work again. www.gerhard-richter.com/art/paintings/abstracts/detail.php?6076

GR 1973

Monday, September 20, 2010

The Sound of Art

Aron Namenwirth untitled 19 (The Sound of Money) acrylic on panel 48x36" get this painting for $1,750.00

Help Me Raise $10,000 To Produce The Sound of Art

by Art Fag City on September 16, 2010 · 4 comments

I’m running a Kickstarter campaign to help raise funds for the production of an LP full of art sounds heard in New York called The Sound of Art. $10,000 is the base number I’d need to complete the project, a very scary number for an independently run blog such as this to raise. It’s possible the goal won’t be reached, in which case the project receives nothing: Miss your target goal, and Kickstarter doesn’t fund the campaign.

I’m running this fundraiser in spite of numbers that make nervous, because I have to. I passionately believe in this project, and as cliche as it sounds, I would be too deeply burdened by regret if I didn’t do everything I could to make it happen. This project is too large to complete though without the help of everyone who comes here regularly.

Already, countless people have already donated their sounds and time in an effort to make this project, many of whom are mentioned below. In addition to overseeing the project, for my part, I am offering a studio visit or gallery crawl of your choice to those who donate $150 dollars or more. For a mere $50 dollars more, you will receive an offset lithograph by Phillip Neimeyer titled Picturing The Past Ten Years. For $350 more, donors will receive a print made in response to the record, by celebrated artist Michael Smith be given the opportunity to eat dinner with me and twitter maven and art world critic artist William Powhida. We’ll go somewhere better than the local C-Town I promise.

Reach the target number, and none other than AndrewAndrew have promised to host the final party. There are no better night than the one’s they’re involved in, so let’s make this thing happen.

ABOUT THE PROJECT

For the past five years I’ve been looking at art and writing about what I see. But I’ve also been listening. Does art have a distinctive sound? Sometimes I think I could be in a remote cabin in Maine, and still instantly recognize the sound of an art video or a performance piece. Yet the things I hear in galleries and performance spaces don’t seem to share any formal qualities – they run the gamut from noise to melody, recitation to wordless grunts.

I want to produce an album full of the sounds art makes in order to document and investigate this range, but I also want to take such sounds and set them free in the world, to be remixed and reused – sampled, mashed up, Auto-tuned, chopped and screwed.

More people than ever are engaged in this kind of cultural recycling, though they rarely draw their sources from the field of fine art. Frankly, the art world doesn’t make it easy – it’s a profession invested in its own scarcity.

More than anything, I want to make a record of the Sound of Art because I want to see what people will do with it. It’s a project guided by Jasper Johns’ description of the art-making process: “Do something, do something to that, and then do something to that.”

WHAT IS IT?
The Sound of Art is a limited edition vinyl LP composed of sounds heard in New York galleries, museums, and project spaces over the last five years. Inspired by classic DJ battle records, it features forty tracks of diverse sounds culled from art video, performance footage, and kinetic sculptures. This is not an easy listening record. It’s an audio document and a tool to create new sounds and new work.

WHAT WILL BE ON IT?

Work by artists well-known and not-so-well-known. Difficult electronics. Sounds of stampeding animals, Hebrew prayer, a transformer fire, a children’s carousel. One hundred carpenters pounding 10,000 nails. Field recordings of recordings by guitar genius John Fahey, and archival sound pieces by the pioneering conceptualist Lawrence Weiner. An iPod drum circle and thoughts on nostalgia. Also, yes, a toy monkey with cymbals.

Sounds have been donated by a large spectrum of artists and venues throughout New York City – everywhere from big fancy museums to odd little project spaces. We’ve also introduced Internet artists, as “wild cards” on this album.

Keep checking this page and our kickstarter blog for upcoming teasers and other audio-visual treats. We’ll be profiling various artist work as the campaign progresses.

WHO’S INVOLVED?
This is a collaborative project, with dozens of people donating their work and their services. Project Manager Michelle Halabura has been working from Art Fag City headquarters since last spring to make Sound of Art a reality.

Matt Madly Azzarto at Think Tank Studio will be producing the record.

Phillip Niemeyer of Double Triple is designing the album cover, and is offering a limited edition offset lithograph to 10 lucky funders at the $200 level. Edition of 60, see the print HERE.

Celebrated performance and video artist Michael Smith will create a limited edition screen print of 50 in response to the sounds on the album, available to funders at the $250 level.

Artist Ben Coonley of Valentine for Perfect Stranger and NYUFF Dr. Zizmor Trailor fame will produce our promotional videos.

Men-about-town AndrewAndrew will host the record release party and Sound of Art DJ Battle, to be held at the ever-cool Santos Party House. (More about that soon!)

WHAT DO WE NEED?
We’ve come up with a plan, brought together a group of fantastic artists and sounds, and have enlisted some of city’s greatest creative minds to donate their talent to this project. Now we need to make it happen. We can do it for $10,000. That covers only the direct costs of this project ¬– the pressing and shipping of a limited edition album, 500 in total, the promotion of the release party, and its launch. Additionally, 50 special edition LPs will be available, including the Michael Smith screen print. Any funds we receive beyond that level will be directed to archiving and distributing the remixed music produced from this album.

THE COMPLETE LIST OF ARTISTS

MANHATTAN
Petra Cortright (Internet), Jennie C. Jones, (Sikemma Jenkins) Moyra Davey, (Orchard47) Eli Hansen (Maccarone), Ted Riederer (Marianne Boesky), Cliff Evans, (Luxe Gallery), LoVid, (LMCC), Marcin Ramocki (MOMA), Shannon Plumb (Sarah Melzer Gallery), Cardiff and Miller, (Luhring Augustine), John Fahey (AVA), Miriam Stern (Yshivah University), Jennifer Schmidt (Elizabeth Foundation Project Space), Carolina A. Miranda (Armory show), Tyler Jacobson and Chris Anderson (Canada), Tom Thayor (White Columns), Luke Murphy (Canada), Joel Holmberg (New Museum), Lawrence Weiner (Whitney Museum)

BROOKLYN
Andre Avelas, (Abrons Art Center), Aron Namenwirth (artMovingProjects), Damien Catera (Hogar Collection), Andy Graydon (LMAK Projects), Sonny Smith (Cinders Gallery), Paul Slocum (artMovingProjects), Heidi Neubauer-Winterburn (Louis V. E.S.P.), Eric Laska (Diapason), Elena Wen (AIR Gallery), Joe McKay (Vertexlist), Laura Parnes, (Internet), Heather Dewey (Issue Project Room), Peter Doble (English Kills), Douglas Henderson (Pierogi), Robert McNeil (MonkeyTown), Erick Zuenskes (Real Fine Arts), Wayne Hodge (Fivemyles), Ranjit Bhatnagar and Nick Yulman (Coney Island Museum), Lara Kohl (PS.1), Mike Koller and MTAA (McCarren Park), Brainstormers (Lesbian, Gay, Bisexual, and Transgender Center).